The following news items and diary entries originally appeared on DyingEarth.com in 2001 and 2002.

You can find the entries for 1998-2000 here.

You can find the entries for 2006-2009 here.

Editor’s note: A few of these news items were not categorized by month or year – I have done my best to approximate their chronology, and have marked them with a small sun symbol.

2001

7th March

Phil Masters has sent his final draft for his section of “Cugel’s Compendium of Indispensable Advantages“. Magic items include “The Ruby of Lucent Absorption” and “Peltaron’s Rapier of Plangent Glaciation”. Included is a section on costume, and Tweaks such as “The Balance of Fortune and Mischance” and “Dour Determination” Phil’s work did not require much editing, as he has grasped the spirit of Cugel-level adventures admirably.

Aaron Allston, who did the Quick Start rules has been commissioned to write the rest of this tome including
*How to negotiate with innkeepers, merchants, teamsters, and others intent on separating you from your terces.
*How to get your fellow players to take all the risks, without their noticing your skilful shirking.
*The fine art of seduction.
*Confidence tricks, as well as a bunch of other bits and pieces.

8th March

We received the final proof copies through – the book looks very attractive, although the spine is a little bigger than I expected. The printers will do the next batch as a free reprint with a slightly smaller spine – they really are admirable people with whom to work. We will be exhibiting at the GAMA trade show in Las Vegas later in the month with the 5 copies we have.

12th March

We received pre-orders for the DE RPG from retailers and distributors. Wizard’s Attic, store and ship all Pelgrane’s stock, arrange for invoicing, and then send us the money. For a small RPG company, it’s a good way of doing things. The pre-orders were pretty good, but we hope that the GAMA Trade Show will improve this.

16th March-25th March

With both my ProFantasy hat and Pelgrane press hat on, I am attending the GAMA Trade Show along with Sasha Bilton a fellow Pelgrane director, and Mark Fulford, the joint MD of ProFantasy Software. Mark has been travelling around the world for a year, and this is his first taste of work for some time. The game goes down well with retailers and distributors, and all promise to order copies. Those large distributors who initially ordered very small numbers I collared, and using techniques inspired by the Dying Earth, tried intimidation, glibness and shame until they agreed to order more. Mike Webb of Alliance Games is a great enthusiast, and I thank him for promoting the game so well.

2nd April

The books have arrived in the UK, including a few signed by Jack Vance, Robin Laws and other contributors. I am thrilled that so much work by so many contributors has finally come to fruition. Piles of attractive-looking books are stacked up in the offer, and I showed them off to everyone in ProFantasy and Hogshead, too. Esdevium Games (the UK’s largest games distributor) have placed a large order and will be collecting it shortly.

5th April

The books are now at Wizard’s Attic in the States and presumably are shipping out to distributors. We’ve had our first on-line orders direct from the website and shipped them out. What will people think of it?

12th April

Thanks to the work of Liz Fulda of Sphinx Group who is doing our publicity and presumably our efforts at GTS, our retailer pre-orders have doubled!

14th April

XPS 2 is ready to go to the printers. Gary Gygax has written a fascinating article about the influence of Vance on the D&D game, the origins of the magic system and his encounters with Vance. Robin has written a 6000-word Rhialto-level adventure, and Steve Long has added a gambling den. Artwork by Ralph, Hilary and newcomer Dave Bezzina is apropos.

As Jim Webster, the editor says “…after many years of good service you will pass it on to your grandchildren who will likewise treasure it as an irreplaceable resource.”

20th April

We are on the front cover of the French magazine Backstab along with an interview with Robin Laws. Next month they feature a review. Cassus Belli, another French magazine has a review, too, next month.

I can’t wait to see some reviews.

23rd April

Esdevium (the main UK distributor) have sold out, as have Alliance. The level of re-orders will tell us how successful we have been. Overall, I am very pleased with our progress.

May-September

The diary appears to have transmuted into a memoir. I am using hard evidence, combined with my infallible memory to reconstruct what has happened over the last few months.

May-July

Reviews! We have lots of reviews, now – all favourable.

Realms of Fantasy described it as “.. a joy to read” and “everything players and a GM need to create a successful Campaign in one of the seminal gaming fantasy worlds”. Yes, these quotes are selective, but no one said anything unpleasant. Backstab used French words that may or may not be bad, but they did give us the Golden Dagger and five stars. Kenneth Hite, industry guru, wrote one of the reviewers and has subsequently agreed to write an article for the XPS. He said he would write a sourcebook “If we agreed to fly him to the UK.”

The Excellent Prismatic Spray II was released in July. It’s bulkier (and more expensive) than XPS 1. It has an air of self-confident formality, with its thick cream cover and old-fashioned text and layout. We really need to do more to encourage subscribers – we are making very little margin on this issue, and need to sell 900 distributor copies just to break even. We are having a few problems with the perception of the XPS – it’s not a fanzine – the articles are of a similar quality to the main rules; it’s timeless – there are few if any time sensitive articles, and it is full of adventure material. I hope that word will spread. Initial orders are very good, but I underestimated the print costs, so we need to sell 800 to break even, unless we can increase the number of subscribers.

The Players’ Guide to White-Walled Kaiin

The manuscript for the Kaiin sourcebook arrived from Robin Laws. It is written from an original perspective and is designed to demonstrate the joys of long-term adventuring in Vance’s world. The book is designed to be perused by players during the game; it is assumed that your PCs are long term residents of Kaiin, and know how things go. You can visit contacts, pick adventure hooks, and share much more of the creativity with the GM. It is over 100,000 words long, and none of it is wasted. Play test response has been very good; we’ve received a few minor requests for additional material and one correction. Jim Webster, editor of the Excellent Prismatic Spray, is a beef farmer, and he pointed out that the fodder requirements for the animals described for the Kaiin supplement are ludicrously low. In the interest of satisfying the large Beef Farmer – Jack Vance fan crossover market, we have corrected these errors.

August

The efficient team of Jim Webster and Sarah Wroot have put XPS 3 together in record time (a record that is perhaps undermined the number of previous attempts.) It gets better each time. Peter Freeman’s exposition of the Valley of the Graven Tombs, illustrated by Sarah is sublime. It won’t be released for a while, but I’m very pleased it is ready to go. This should reassure our potential subscribers.

GenCon 2001 US

The morose David Thomas braved illness, and a woefully low profile (my fault) to represent Pelgrane Press alone at GenCon 2001. I am told by freelancers and other publishers that we did rather well, but we were not buried in terces, and hope to do better next year. A few demo games and suitable clothing might help next time! Strangely, only half of our customers are Americans – this is very unusual for a roleplaying game, particularly one based on a license from a US author. Maybe GenCon will help spread the word. For most companies, the US is 80% of the market. Still Ed Greenwood of Forgotten Realms notoriety took out a subscription, and both he and Jonathan Tweet praised the game.

Cugel’s Compendium update

Cugel’s Compendium is nearly ready to go – I am just awaiting a quote from the printer. Allen Varney has completed the layout in a similar style to the main rules, and Ralph’s artwork is better than ever. It’s Robin’s idea, written primarily by him, Aaron Allston and Phil Masters. However, the excellent Dying Earth Magazine mailing list contributed additional material. It is a book of goodies for players. It includes new items, both magical and mundane, new cantraps, confidence tricks, negotiation strategies, a costume generator, and Tweaks. Tweaks are powers that can be used to amusing effect at a small cost in points. Here are a couple more examples:

Volcanic Umbrage

Situation: You have just discovered that you have been cheated or conned. The individual responsible for doing this still stands within throttling range.
Description: You fly into a titanic, blustering rage, waving your arms about and spitting out barely coherent threats. Even if you are a mild-looking person not known for violence, your aspect temporarily becomes so alarming that even a hardened warrior will flee from you in instinctive fear .
Benefit: The person who cheated you must run away from you at his best possible speed, in the direction best calculated to put the maximum distance between himself and your raging, lunatic self. After one minute, he can stop his flight by making a successful Wherewithal or Persuasion (Intimidating) roll. If he wants to make that a Wallop instead of a roll, he compares his Wherewithal or Persuasion (Intimidating) rating to your Rebuff (Wary) rating.

“Please Forgive My Companion, Who Was Dropped At Birth”

Situation: A member of your group has just committed a terrible social faux pas. He may have offended the attendees at an elevated social function, insulted an influential potential patron, or annoyed a hot-tempered person who is even now reaching for his rapier.

Description: You can mollify the insulted party or parties by smoothly pointing out that your companion is either a halfwit or foreigner, and is therefore not fully responsible for his errors of etiquette. Given their source, you explain, the offended persons need not consider his words any kind of meaningful insult; they can safely ignore him without damage to their reputations or honor.

Benefit: You may spend 1 Etiquette point to eliminate the adverse consequences of another character’s Etiquette failure. Treat this as an automatic action, not requiring a roll.

The Scaum Valley Gazetteer

This supplement will describe the centre of civilization in the Dying Earth, the Scaum Valley. Jim Webster wrote the bulk of the material before the rules were even started. David Thomas and Steve Dempsey added more material. David Thomas and I have been slowly editing and re-writing this 90,000-word manuscript, adding more material than we remove. This supplement is less rigidly planned than Kaiin and the Compendium, so it will take more time to polish. It is full of adventure material and background information, and includes the manse of many of the major Arch-Magicians. We’ve had to deal with certain minor discrepancies in the novels; what is unimportant to the reader of a novel becomes very important in an RPG. For example, Iucounu’s manse is described as overlooking two different rivers in Eyes of the Overworld and Cugel’s Saga. We don’t want to get uptight about it – you should hardly notice such discrepancies.

6th September

We ran out of XPS 1 some time ago, and people are still asking for a copy free with the rules. We aren’t going to do another re-print; we can’t afford not to charge, and people would be upset if we did. I’ve decided to put a PDF up on the website. This will keep current players happy and, with luck, increase the number of subscribers.

1st December

Dragonmeet was fun – we sold out of the new releases, literally rather than metaphorically. We dsiplayed a marvelous four tiered hat created by Magot, and Matt Goodman of Heliograph modelled it splendid effect at one of the seminars. John Kovalic was swamped by hundred’s of fans, and nearly lost the use of his writing hand and voice. The estimable James Wallis of Hogshead Publishing presided over the auction, and we were treated to a glimpse of his games designer’s torso. Luckily, no one bid high enough to see his Doomstones.

10th December

The Player’s Guide to Kaiin is in the hands of Sarah Wroot, the XPS layout artist. However, she has also been working on XPS Online, a web-based supplement for subscribers to the Excellent Prismatic Spray. This has ballooned and now includes additional websites for the Scholasticarium, Wakdun the Panderer. Whilst this will provide new material of the highest caliber, it has delayed Kaiin.

2002

Kaiin and Kaiin map released. The Player’s Guide to Kaiin is on general release. A limited edition full-color map is available from our order page.

19th January

The Scaum Valley Gazetteer has gone out for play testing again. It has been substantially rewritten to provide a better balance between the adventures and source material. We’ve added more taglines, spells and items and toned down certain death for PCs to to likely humiliation.

23rd January

XPS 3 and Cugel’s Compendium were printed back in November, and we had 30 of each shipped by airmail to us to sell at Dragonmeet. Unfortunately, we were unable to get the rest out in time for Christmas. The delay was further compounded by a miscommunication betweeen the printers, their shippers and Wizard’s Attic which means that they only arrived in the States on 20th January. Still, they are here now.

25th January

The XPS 3 subscription copies have gone out worldwide, and Cugel’s Compendium and XPS 3 are available in the States. Wizard’s Attic are shipping copies of each supplement to the UK for distribution to the rest of the world. We should have them over here by mid-February. I think that Leisure Games, who purchased some stock at Dragonmeet might have some copies for those in the UK and rest of the world who are desperate to get them.


The Dying Earth — and its rules-lighter version the Revivification Folio — take you into the world of master fantasist Jack Vance, where a flashing sword is less important than nimble wits, persuasive words,and a fine sense of fashion. Survive by your cunning, search for lost lore, or command the omnipotent but quarrelsome sandestins. Purchase The Dying Earth or the Revivification Folio in print and PDF at the Pelgrane Shop.

The following news items and diary entries originally appeared on DyingEarth.com in 2000.

You can find the entries for 2001-2002 here.

You can find the entries for 2006-2009 here.

Editor’s note: A few of these news items were not categorized by month or year – I have done my best to approximate their chronology, and have marked them with a small sun symbol.

1998 to 1999

In early 1998 last year, we began discussions with Jack Vance’s agent in New York about the possibility of creating a game based on the Dying Earth Tales. In early June, we started a mail list for interested parties. What could such a game be like? Would it even be possible? We consulted RPG industry professionals, looked at the finest rules systems and adventures and established that such a game was possible given the treatment that Vance’s work deserves.

After long and drawn out negotiations, we established a price and gained extensive licensing rights. We were ready to commence work on the game. Next came the difficult task of deciding who should write the game. We decided at the outset that it should be more than one writer, as we soon discovered that everyone has their own interpretation of Vance’s tales and we didn’t want to impose a single vision.

See the press release for more details.

In December 1999 after perusing the CV´s of many admirable writers, we chose Robin D. Laws to be the senior designer. His name had been put forward very early on, and we were very pleased to get him. John Snead we chose to write the magic system, primarily because of some as-yet-unpublished material he sent us as a sample, but also because of his broad RPG experience and knowledge of effective rules for magic systems. Both these writers demonstrated their ability to add a light Vancian touch to their writing, without creating a pastische.

The novelist Peter Freeman sent samples of his work, and that was sufficient to persuade us that we should make room for him on the project writing flavour text and making other contributions.

10th October 1999

Allen Varney, a well known RPG writer, novelist and games writer volunteers his services; he little knows what we have in store for him.

20th December 1999

Allen sends through final Dying Earth logo and Pelgrane Press graphics – they are accepted.

2000

Integral Edition gathers pace. This ambitious project hopes to print all of Jack Vance’s work in sixty leather bound volumes.

The Dying Earth Gallery was added to the website.

10th January

Hilary Wade, an artist introduced to us by Peter Freeman produced some sample illustrations of creatures for us. They are deemed suitable and original.

24th January

Allen sends the first draft layout. This two-color affair captures the mood of the background very well. Can we afford two color though?

26th January

I spoke to Jack for an hour or so yesterday. He is a quietly spoken and thoughtful man. I found him very helpful and friendly and where he remembered details or concepts from the books, he enlarged upon them. He tries not to re-read work, as much of the earlier work he finds disappointing. He likes all his Dying Earth stories, although he refers to the ending of the Museum of Man as “slightly sophomoric”. His other least favourite DE story is the Grey and the Green. He emphasised that he like these stories. He has a great affection for Cugel (pronounced Coo-gul (Coo like a dove, gul as in prodigal.) and Rhialto. He would be happy for someone to fly to visit him, but unfortunately that’s not in the budget! A few snippets of our discussion follow. He let me know what was in his thoughts when he pictured the map (somewhere on the Earth, although I’m not saying where) He describeds Sandestins as “the executive performers of acts of magic.” People in the Dying Earth are not warlike en masse. There are dangerous areas, but war is a pastime for younger nations. He conjured a great image of archmagicians working on magical problems, likening it to a “a shed full of junk and old paperwork and a couple of old guys trying to build a lawnmower out of odds and ends. They experiment until they find something that works, then they perhaps write down the recipe. Mainly, they are using old knowledge, intuition and years of experience. It doesn’t really matter what the solution is.”

1st February

Robin produces his first draft of the basic engine. Amusing and well-written – the Robin D. Laws TM comes with a built in proof-reader and editor; no RPG company should be without one. This is distributed to the other developers and is greeted by virtual cries of admiration.

2nd February

Ralph Horsley supplied the illustration of the Deodand you see on our home page.

15th February

John Snead produces a very early draft of the magic rules.

Second conversation with Jack Vance. He answered some useful game-relevant questions. He suggested why bows and other projectile weapons are rare (magicians don’t like them), detailed the political structure (people are too difficult and egotistical to be ruled, magicians don’t like rulers) and described why the half-humans and humans hate each other (the usual human reasons.)

3rd March

Allen supplies us with another layout proposal, this time one color. Either layout would be suitable, although we’d like to be able to do two-color if we can.

17th March

Peter Freeman, our sidebar author has finished “The Daybook of Geomalacus” to illuminate the embryonic magic system. An example:

At Azenomei, on the junction of the rivers Scaum and Xzan, word had come that the Arch-Mage Phaeton was seeking an apprentice. On my arrival the town was already full of bursting lights and all manner of reports, odours and fluxions as every jack-leg magician of the district attempted to display his skill, along with many lacking all reasonable pretension to command of the art. Phaeton himself was not present, and so I took myself to an arbour pleasantly shaded beneath a single great pall-willow and sipped yellow wine. I watched in quiet amusement as the various tyros and dabblers argued among themselves, none showing more than a fleeting ability, yet each more vociferous than the last in his claims. All but the most cloddish and ill-refined citizens seemed intent on the contest, even those conversant with but a dozen phases of the Laganetic cycle or possessed of erotic amulets of dubious efficacy.

Eventually Phaeton arrived, a personage of stately height and demeanour, whose sagacity was evident in the length of his beard. As the crowd began to press on him with claims and counter claims he responded with increasing distaste, until finally he was forced to evoke the Omnipotent Sphere in order to protect himself.

He immediately began to dismiss those ill-bred, lacking in adequate style or innate competence, along with singers of popular songs, lallators, groatmen, those unable to deflect the Spell of Internal Effervescence. At length only a half-dozen remained, all minor mages of greater or lesser worth. At that point I drained the last of my wine, rose and walked to the group, addressing Phaeton with a sweeping bow and ignoring the others. Phaeton returned my greeting with a cool glance, at which I, with a carefully judged flourish, evoked the Liberation of Warp, thus simultaneously impressing him and causing great inconvenience to my competitors. With a second flourish I produced from the folds of my robe that libram I had secured from the tomb of Yasbane the Obviator. Phaeton’s eyebrows, previously immobile, rose perhaps the half-breadth of a finger.
´You overcame the demon Orsadran?´
I responded with a modest inclination of my head.
´Your name?´
´Geomalacus, ´ I replied.
He gave a nod of acceptance, turned and began to stride from the square. I followed, keeping close behind him to avoid the malice of my disappointed rivals. Having gained my goal it seemed superfluous to comment on my agreement with Orsadran.

19th March

Hilary Wade, one of our artist has produced some amusing and characterful illustrations for the game’s Persuasion and Rebuff abilites. Here is an example of a Pelgrane unsuccesfully using its charm techniques on a very wary opponent.

21st March

The Dying Earth RPG play test begins.
Over 50 playtest teams have begun the two-month long process of testing the fledgling core rules for the game. We´ve included two Cugel-level test adventures, one by Robin Laws, the other by David Thomas. We are working on some higher-level example adventures. The play testers range from complete novices who are avid Vance fans, to highly experienced GM´s with no knowledge of the Dying Earth books at all.

April

Millennium to publish Tales Of The Dying Earth in the United Kingdom. All four of the original books are to be printed in one volume under the Fantasy Masterworks series. Fantasy Masterworks is a library of some of the greatest, most original, and most influential fantasy ever written. These are books which, along with Tolkien, Peake and others, shaped modern fantasy. The book, number four in the series, has the ISBN number 1-85798-994-5, is due for release in April 2000 and will cost £6.99. Pelgrane Press intend to sell the book from this website.

2nd June

As might be expected, the play test has taken a lot longer than expected – we are now on the second round of playtesting. Robin fixed a few play tester’s niggles and all the developers are hammering away at John Snead´s Rhiato-level rules to try to break them.

6th June

JS has incorporated some changes to reflect certain loopholes in the Rhialto-level rules that were discovered. They are now more robust. This includes a fix by Robin to the main rules section that caps abilities, preventing powerful characters from hosing everyone in sight with magic.

21st June

The highly-experienced Aaron Allston (industry credits include GURPS, D&D Cycolpedia, and three novels) begins work on the Quick Start rules. He adds some amusing flourishes to the examples he gives.

14th July

Ralph Horsley begins work on illustrating the DE source book.

20th July

David Thomas, who has already supplied us with two example adventures, posts an article to the Guild Companion about the progress of the game. Apart from some slights to Tolkien, it generates some positive comments. (The url is now dead, unfortunately.)

2nd August

The artist Greg Staples (Dragon magazine, Green Lantern, 2000AD) has agreed to do the front cover of the DE RPG. His work really has the atmosphere and professionalism we are looking for. The initial idea:

“Cugel stands on Shanglestone Strand with the sun setting in the background. (Possibly, across the sky or in the clouds is an image of the face of the laughing Iocounu) Cugel is shaking his fist at the sky an cursing I´s name. The Agent of Far Despatch (a winged demon) can be seen as a silhouette in the sky. The friendly glow of Twango´s manse is visible further up the beach, but strange white shapes are can be made out dimly in the woods. Perhaps the distant glimmering of the light of Saskervoy can be seen.”

8th August

Jim Webster, a massive contributor to the Dying Earth mail list, and adventure writer, foolishly gives his consent to editing a quarterly magazine devoted to the Dying Earth. He starts soliciting articles.

9th September

We have had more rules revisions and typo corrections in the main rules and an initial layout for the DE Quick Start rules. David Thomas is combining Jim Webster´s, Steve Dempsey´s and his own work into the Scaum Valley Gazetteer, to be our first supplement. It will be aimed primarily at Cugel-level characters. We are using a CC2 map created by Peter Freeman as the basis of the river course.

15th September

More revisions to the magic rules covering area of effect spells and spell wallops (very powerful magicians against weak defense)

18th September

The Origin of Species, which began as a flip remark on the mail list, and became an amusing Vancian digression, draws to an end. Jim Webster, a major participant posts a listing of proper names, included here. It is full of sources of pedantry, personages and adventure seeds. It can be downloaded from here.

21st September

Aaron Rosenberg agrees to put some polish on the magic chapter. It´s over 41,000 words – we were expecting around 25,000, so some chopping is needed.

28th September

Allen posts an attractive first chapter layout in PDF format with rough illos. This is a two-color version. It’s looking less likely that we can do this. Ralph has excelled himself with headers and footers such as this:

Ombalique

3rd October

I attempt to get printer quotes. Following James Wallis´ advice, I contact a number of printers, and learn strange printer terms, such as offset, coated, lpi, 2/2, smyth sewn and bizzare American paper weights measured in pounds (instead of good old simple gsm)
Can we afford two colors? Hardback? Nice paper?

5th October

Phil Master (GURPS Diskworld, etc.) agrees to write a few thousand words for a project initiated by Robin – “Cugel´s Compendium of Indispensable Advantages” These contain tweaks – an example of which follows:

“Is That Your Spear, or Do You Hide Behind it from Small Children?”
Situation: You are confronted by one or more opponents, and physical violence is clearly unavoidable. You are confident enough of your chances, but would feel better if you could be sure that your opponents would remain innocent of much tactical subtlety.

Description: You a fix your leading opponent with a glance, and issue a remark of brutal contempt. Hopefully, this provokes him to anger, which the wise warrior avoids.

Benefit: For the expenditure of 1 Persuasion (Forthright) point, you may engage your intended victim in a contest of Persuade against Rebuff, with no rerolls permitted on either side. If you win the contest, your opponent is enraged, and will charge you at maximum speed. If he has Ferocity as a style of attack (preferred or secondary), he must use it; otherwise, he suffers a levy of 2 to all his defense rolls for the first three attacks you make. You would be well advised to win the ensuing combat, as you are unlikely ever to make a friend of this person.”

6th October

Allen Varney sends through the laid-out Quick Start rules. Greg Staples cover art arrives. It is a striking an attractive image, with only one fault, Greg has added two moons! In the Dying Earth, the moon has long since departed (some say in the Great Tumble). I send the art back to Greg.

10th October

Jim sends through some articles for the as-yet-unnamed magazine, some 14,600 words. Jim a gregarious and amenable character compensates for his total lack of layout ability by finding an experienced designer and zoologist, Sarah Wroot. She agrees to set the magazine.

11th October

Greg’s final artwork for the front cover is scanned and finished. Here’s a glimpse:

17th October

The Scaum Valley Gazetteer cover is underway. We asked all the contributors to make suggestions (artwork by committee, I suppose) This is what Greg Staples had to work with:

Ideas:

The Valley of Graven Tombs, with a barge and an exhumation. The Sun should probably be present in the picture.

The barger could be something like a big, over-ornate punt, with a little cabin aft (like the tent things that workmen hide under) and stuff (retrieved items, say) being loaded on board. Dying Earth fashions are wild and frequently bizarre; strange hats and costumes.

A deodand ready to pounce would be good, but might be a bit too busy, or even a deodand on a chain.

(The deodand is largely human in appearance. It stands seven feet tall and is extremely broad-shouldered. Its skin is pitch-black in color, offering a dramatic contrast with its large, dripping fangs, which may be yellowed or gleaming white. The surface of a deodand’s skin is well-oiled, reflecting light and highlighting the extraordinary definition of its musculature. It might be considered quite beautiful, were it not for its cruelly bestial facial features and aforementioned incisors.
Deodands eat flesh, craving that of mankind most of all. They speak our language and are often skillful, if wheedling, negotiators. They may pretend that they devour humans only reluctantly, as if driven by uncontrollable instinct. They dwell in forests and jungles. Sometimes they are sighted singly, sometimes in small packs.
If faced with some impediment to the immediate dispatch of human prey, the deodand will plead, bargain, cajole, imprecate, and sweet-talk, seeking to persuade his interlocutor into removing the barriers which stand between them.)

Comments from the writers:

Somehow the picture should look placid without anyone making any real effort, even the barge should drift.

The Valley is natural, with natural tombs on the north side, but artificial on the south.

My mental picture of the Valley. The Scaum runs basically East to West so the sun should be to the south side of the river. Travelling down stream you have the sun on your left hand side. The south side of the valley is the one with the artifical accretion of tombs , the North side is the natural hill side,.probably running up to a plateau which will inevitably be forested. On the north bank there is a village which provides the homes etc of those who work among the vines. Near the river where streamlets draining the plateau run down the north face they have eroded some graves and have washed the contents down onto the river margin forming the “bone fields” where the locals grow some grain for their own consumption.

The valley is long, so you needn’t pick out all these features. Many of the tombs are covered in ancient grape vines which yield a harvest of fine wines.

This is what Greg came back with first as a rough idea:

Scaum Valley cover

We mentioned a few coloration problems, and he came back with this:

Scaum Valley cover - final

The final cover is now at the A3 scanning bureau, so we can’t show it to you. But my, is it impressive!

18th October

A discussion over the name of the magazine continues. I shortlist three:

The Primer of Practical Magic AKA the Primer (mentioned in Rhialto)
The Excellent Prismatic Spray
The Compendium of Universal Knowledge (Duke Orbal’s exposition)

After debate, I choose the latter.

19th October

I change my mind; The Excellent Prismatic Spray it is.

20th October

Printer quotes come in. We take the rather brave step of using a Thai printer; the quality of their samples is excellent, and their pricing is such that we can do hardback (although not two colours) Their salesman seems to be knowledgeable and cooperative. (Please don’t quote this paragraph if it all goes wrong!)

21st October

Ralph has spent a week doing additional artwork for the magazine and some extras for the main rule book. His usual high quality is in evidence.

Ossip Wax

7th November

Tor Books to publish United States omnibus edition. The book is expected to be released in November 2000.

The Scaum Valley Gazetteer reaches 92,069 words. David Thomas chases his contributors with a danny-stick to ensure prompt completion of their contributions. Words derived from Dutch, French and other inappropriate foreign languages are banned. The Dying Earth master map is in CC2 form, and we have made some adjustments to it to reflect certain inconsistencies between different writers´ versions.

10th November

Sarah Wroot sends us the first version of her layout for The Excellent Prismatic Spray (XPS). It has a suitably classical style. Allen Varney, with Aaron Rosenberg has cut down extraneous material and re-worded the magic chapters to bring them down to 25000 words. I read through and can´t find anything missing. An amazing job. With a few minor changes, John Snead expresses his satisfaction at the new version.

15th November

Allen Varney´s front cover draft comes through. Eye-catching.

21st November

Quick Start rules are printed! The Excellent Prismatic Spray is at the printers! Hooray! Sorry about the exclamation marks.

25th November

Pelgrane Press launches the Quick Start Rules and The Excellent Prismatic Spray at Dragonmeet 2000. We sold lots of copies of the Dying Earth Tales, even more copies of The Quick Start Rules, and some magazines. We generated a good buzz. Steve Dempsey demonstrated the game to an entirely unfamiliar audience. Most of the playtesters enjoyed the game to the extent that they would purchase the rules.

Playtesters

December

☀ XPS 1 now available to download.


The Dying Earth — and its rules-lighter version the Revivification Folio — take you into the world of master fantasist Jack Vance, where a flashing sword is less important than nimble wits, persuasive words,and a fine sense of fashion. Survive by your cunning, search for lost lore, or command the omnipotent but quarrelsome sandestins. Purchase The Dying Earth or the Revivification Folio in print and PDF at the Pelgrane Shop.

Gar and Elyan[Ed’s note: Long-time freelance writer for Pelgrane Press Gareth Ryder-Hanrahan will be working for Pelgrane Press as of October. We are very fortunate to have him – he is consistently reliable, knows and loves the GUMSHOE system and produces excellent quality writing and plays well with Ken and Robin. You can read about his work here.]

Here’s what Gar had to say about it:

Gaming (Core Clue): You pitch five campaigns you really want to run to your regular group, and every one of them is a Pelgrane Press product.

That wasn’t the only factor in accepting Pelgrane’s offer, but life throws very few Core Clues at you, so when one comes along it’s best to follow it. Otherwise, I’d be thrown back on my General Abilities, and that’s never a good idea.

Pelgrane Press has engaged my services part-time for the next six months (for the rest of that time, I’ll be training the next generation of gamers to roll the dice instead of eating them). For the first few months, my targets are assembling Accretion Disk for Ashen Stars, continuing to work on Dracula Dossier with Ken, and developing 13th Age material for several different projects, like the Living Dungeon campaign we’re codenaming Moby Dungeon. No doubt there’ll be other projects, but those should keep me busy and sleepless for a while.

I also intend, of course, to continue the secret Irish takeover of Pelgrane Press, now that Cat’s established a beachhead in the main office. Ken’ll should be a pushover after his experiences at Warpcon last year; all that remains is to convince Robin that what he perceives as Canada was actually Ireland all along (doubtless one of the more obscure schemes perpetrated by the Esoterrorists), and then we’ll have Simon surrounded.

Pelgrane News Round-Up

A lot has happened since our last mail out, including GenCon. This is summary for occasional browsers:

  • The Dance in the Blood, the third and penultimate in Graham Walmsley’s Purist series is out now. The three adventures are available in a printed, limited edition form in a clean, simple and Keeper-friendly layout. Graham has signed and numbered them all.
  • Skulduggery is now available as a PDF, and three playsets are in draft format. We’ll announce the playtest shortly.
  • Pelgrane Press now has an employee, Beth Lewis, to speed up our production schedule and generally make things more efficient. She has already laid out the new Arkham Extended Edition, Dance in the Blood and is now working on laying out Not So Quiet, an adventure set in a hospital on the Western Front in the Great War.
  • As proof of concept, Beth is converting Esoterrorists into ePub and mobi format for use with most ebook readers. We’ll supply this to all existing Esoterorists customers at no charge. Vote here to let us know whether or not you have an ebook reader.
  • A new adventure by Bill White – The Big Hoodoo features SF writers Phil K Dick and Robert Heinlein amongst the characters. Read more and sign up for the playtest here.
  • Bookhounds of London is ready for layout.  Paula Dempsey is putting the finishing touched on its companion volume, the Occult Guide.
  • Gareth Hanrahan will be writing new content for us to release every month for Pelgrane, starting with three Skulduggery playsets. He’s written a four episode campaign called Dead Rock Seven for Ashen Stars, and he’ll be moving on to other supplements. Let us know what you’d like to see here.
  • The first set of Cthulhu Apocalypse adventures is out of playtest, and is ready for illustration and layout.
  • Ashen Stars is out of playtest and is now ready for a second pass from Robin Laws.

For the first time, Pelgrane Press has an employee, Beth Lewis.

She came into the office in response to a livejournal post in which I asked for a volunteer.  When I described a forthcoming competition, the prize for which is an obsidian sphere etched with the elder sign, she asked “which one, Lovecraft or Derleth?”  How could I not offer her a job?

Beth is a qualified publisher and keen horror roleplayer. She will enable Pelgrane to substantially speed up our production schedule, as well as start a new project – a fiction line.  More on that later.

Ok I promised that I would give out a preview of the Eternal Lies Suite.

Here is a piece from early in the game. It’s an ambient piece designed to be played as a loop during a specific scene and it introduces an important theme that will be heard throughout the suite.

Melancholy ambient theme by James Semple

The music in the suite varies from adventure through sentimental to horror. This is probably the most sentimental piece in there and although there’s an element of surreality, the theme feels familiar and comfortable.

Hopefully we’ll have a chance to give out more previews in the coming months. After all the suite will be around 70 minutes in total!

James

This is the last of the introductions to the composers for the Eternal Lies suite.

My name is Yaiza Varona, I’m Spanish, born in Barcelone but lived most of my life in Tenerife,
Canary Islands. I am a musicologist and  composer.
When James Semple offered me the chance to be part of this project, even before he had finished to
fully explain what it was about, I knew I had to do it, because even with first words “Eternal lies”
sounded so interesting and because of the chance of working with all three such talented composers.
Writing music for a Roleplay game means for me to create a subtle musical background that can
help boost the play´s emotions and contribute to “taste” more effectively all the experiences that
shall bring with it. This, in a way, offers the composer the chance to share that same experience as
well, and in that respect it is absolutely useful all the information we are provided about the game.
My personal approach to the project tries to focus on translating the character´s feelings into sound.
The weariness, solitude, concern or responsability weight that can appear during the playing in the
different scenario possible can be conveyed musically in a way that becomes part of the game itself,
or at least that is what I intend to achieve.
It is a huge pleasure for me to be here. I am really excited to be part of this, and am enjoying the
project since the first minute.
Great emotions can be expected from “Eternal lies”, and I will try my very best to make the perfect
music for it.

Yaiza’s website is here, and you can listen to a sample of her music here.

Following on with the music blog, I’m going to let Mike Torr introduce himself…

I’m a composer with a broad spectrum of experience and influences.  A long history as a keyboard performer (and one-time double bass player) has taken me through a landscape of Electronica, Blues, Classical, Jazz, and Rock; via the usual grind of touring and recording with bands; and landed me on the shores of media music land.  Writing music is always an adventure, and I’m attracted to it because it feels like a back door into the human subconscious.  Perhaps I was a necromancer in a previous life…
I live and work in Southampton and I’ve known James for a few years.  He’s already written some great material for Eternal Lies and I’m going to be joining his team and helping him to express his ideas in a variety of ways.  With Marie-Anne and Yaiza on board, I’m in the company of a great group of talented and creative people, and I’m really looking forward to discovering where this is going to lead!

Hi … I thought it apt to begin introducing the various composers who are working on the Eternal Lies suite.

Here is Marie-Anne Fischer in her own words…

I fell in love with composing music when in South Africa, after moving from my native Belgium.  Rhythms, beats and sounds of Africa stylised my music, some of which was used for television, wildlife documentaries, sport and corporate video.  Further colour was added during time spent in the USA.  I moved to the UK where I focused on composing music for media after completing a diploma course in the same. My main instruments are piano and violin.
I look forward to co-writing music for “Eternal Lies” and have already been exploring the range of possible emotions and ambient sounds that might accompany live role play. Composing can be solitary, so I welcome working alongside such talented friends and taking the opportunity to broaden my musical spectrum.

I’ll be introducing Mike and Yaiza in the coming weeks and hopefully I can bring a few of these musical types along to Dragonmeet in November.

I believe next week we will post up the first preview of the music!

cheers

James

Here’s a quick update on the state of the Eternal Lies suite.

This has been a truly phenomenal week with a chance for composers and authors to finally bounce ideas of one another. I’ve been absolutely amazed by the exceptional ideas coming from Will and Jeff and I’m so pleased about their enthusiasm for having their adventure scored. This week we began looking at the various chapters and how they will be scored.

Without giving away too much here, we have come up with around five distinct musical themes each representing concepts within the campaign. Therefore, chapters will reference themes based on the relevance of the concepts at the time. We’ll also be using this idea for the various stings that are to be used for specific circumstances. For instance, this week I created the sting for when a character is … well let’s politely say ‘retired’ from the game for whatever reason. This sting is a piano version of a theme which in one sense represents failure but is really part of a bigger concept. Perhaps I’ve said too much already…

We also agreed to include a new piece specifically to be played when the group are sitting back and reviewing the information they’ve amassed. We felt this would be a useful piece of music for keepers. In fact we’ve really spent a lot of time looking at the utility of this music for a group playing a game. That whole aspect has been very important for keeping us focused. The music must serve the game.

I hope that I’ll get a chance to include samples of the music during these articles to whet appetites!

Next week I’m going to start introducing the wonderful composers working alongside me to create this enormous suite of music.

James

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