The Dracula Dossier Director’s Handbook (DH) covers the present-day Legacies of the main members of the Crew of Light – Billie Harker, Tabitha Holmwood, Thad Morris and the rest, the descendants of the original group who battled Dracula. However, Dracula Unredacted reveals the existence of several other members of this fellowship who, for reasons sinister or editorial, were excised from the narrative. Once the players discover the existence of Kate Reed or Inspector Cotford, might they not try to track down their present-day heirs?

Dr. James Renfield

One of the most fascinating and unexplained asides in the whole of Dracula is Renfield’s brief moment of lucidity shortly before his death, when he pleads with the Crew of Light for understanding (Dracula Unredacted, p. 331). He reveals that he seconded Lord Godalming’s father at the Windham Club, and shows surprising knowledge of the other hunters, suggesting Renfield was a man of considerable erudition and respectability before his madness.

The Director’s Handbook (p. 38) describes Renfield at the time of the novel, and also speculates he might have been committed to the asylum by a relative. If so, there might be a Renfield legacy in the present day.

Enter Dr. James Renfield – he’s a brilliant medical researcher, possibly working at the modern-day NHS facility built on the site of the asylum that once held his ancestor. Like the original Renfield, Dr. James is in remarkable physical condition – he regularly runs marathons, is an avid mountain-climber, and is in the Territorial reserves – and extremely well connected, socially and politically. He’s on various advisory bodies and boards, and has given evidence before Parliamentary committees on occasion, discussing bioterrorism, the ethics of genetic engineering and similar matters (possible connections: Philip Holmwood, DH p. 43; “Mr. Hopkins”, DH p. 117, Pharmaceutical Researcher, DH p. 128).

He’s a brilliant but intense man, impatient with lesser minds. Few people can keep up with Dr. Renfield when he’s tackling a challenge.

Dr. James shares one other quality with his ancestor – he’s unusually succeptible to vampiric influence. As soon as Dracula (or another vampire) comes within close proximity of the good doctor, his personality begins to change, taking on aspects of that vampire’s personality and goals. He soon becomes obsessive, then degenerates into incoherence and self-destructive or violent acts. Tailor the psychosis to the vampire – a Renfield in the thrall of Countess Bathory might behave very differently to one exposed to the American Vampire, or a resurrected Lucy.

Innocent: His great-great-grandfather has been erased from the family history, but show him a photograph or other proof of the actual existence of R.M. Renfield, and Dr. James is convinced to aid the Agents. This version of Dr. James is a tragic figure – he starts off as a heroic ally of the Agents, but quickly falls under the sway of the first major vampire encountered by the group.

Asset: Renfield’s already working with Edom (just like his ancestor?). Dr. James is actually an excellent candidate for Dr. Drawes (DH p. 50); alternatively, he might be an Edom researcher working on the Seward Serum. Presumably, they keep him far away from any actual vampires to avoid psychic contamination.

Minion: What’s that you say? How could the descendent of the guy who was famously working for Dracula be… working for Dracula? The obvious Minion take is that Renfield falls under Dracula’s spell, and acts to help the vampire in whatever way he can – kidnapping victims as offerings, inviting Dracula into houses, stalking troublesome hunters. Remember that Dracula may not even be aware of Renfield’s existence; Renfield’s compelled to act by Dracula’s psychic presence, not the vampire’s will.

For a nastier twist – Renfield’s willingly working for Dracula. When rumours of the missing Dossier reach the Count, Dracula orders his minion Renfield to trail his coat. Dr. James starts posting messages online, saying he’s looking into an odd family mystery, a disgraced ancestor who’s been excised from the records. Why, he’s got a copy of his ancestor’s coded journal (DH p. 277) – maybe, when put together with other records from the period, it might yield some useful information.

Defining Quirks: 1) Intense gaze 2) Loves cats 3) Hates insects, especially flies.

Investigative Abilities: Forensic Pathology, High Society, Outdoor Survival, Pharmacy, Research

General Abilities: Athletics 9, First Aid 10, Hand to Hand 6, Infiltration 6, Shrink 6

 

(My apologies for the long delay between installments. I’d intended to post this and the other pieces in the series in early 2020. I wonder what could possibly have distracted me in, oh, say around March of that year.)

The Dracula Dossier Director’s Handbook (DH) covers the present-day Legacies of the main members of the Crew of Light – Billie Harker, Tabitha Holmwood, Thad Morris and the rest, the descendants of the original group who battled Dracula. However, Dracula Unredacted reveals the existence of several other members of this fellowship who, for reasons sinister or editorial, were excised from the narrative. Once the players discover the existence of Kate Reed or Inspector Cotford, might they not try to track down their present-day heirs?

Gwen Parton

The Parton family played a key role in the events of Dracula, although their involvement was heavily redacted in the published version. Sir Robert Parton, the president of the law society, was possibly involved with Operation Edom. It was he who put Dracula in contact with Peter Hawkins of Exeter when the Count asked for a lawyer to be dispatched to Transylvania. Later, Parton’s daughter Juliette was a victim of the Count’s unholy hungers, possibly with Parton’s knowledge. Certainly, Parton helped cover up the circumstances of his daughter’s death, removing witnesses like his brother Quentin (exiled to Scotland for his health), and lying to Inspector Cotford. Juliette’s coffin was never found.

(It’s equally likely that Parton was part of the Satanic Cult of Dracula, of course – Cotford’s cryptic last entry on p. 270 of Dracula Unredacted mentions ‘Parton’ at the unholy banquet at Coldfall house, but it’s unclear if he meant the late Juliette or her father Sir Robert.)

Gwen Parton’s descended from Sir Robert’s brother Quentin, although she has little knowledge of that side of the family. Her branch of the Partons have lived in Scotland for generations. Gwen’s in her early 30s, with innumerable piercings and tattoos; she’s drifted in and out of various punk-rock bands, artistic collectives, fringe political groups and activist circles since dropping out of university. Her secret shame – her family’s still very wealthy, and have helped her out of financial difficulties several times.

Innocent: Gwen’s still looking for the right cause – she’s got plenty of energy and passion, but has yet to find something that she really believes in. Taking down Edom/Dracula might be that crusade, especially once she learns about her family connection to the curse.

While a failed rock musician might not seem to be an ideal ally for vampire hunters, Gwen brings several advantages to the table. Her great-great-grandfather Quentin was sensitive to Dracula’s presence, like Renfield – she might equally be able to detect the count. She’s got access to a network of online journalists and other contacts who might be able to dig up useful intel. She can draw on her inheritance for ready cash. And when all else fails, she’s got a pair of well used and very stompy boots, and has special weapons training in smashing a pint glass into someone’s face.

Asset: If Edom’s running Gwen, it’s at arms’ length. She might be a deep-cover agent – maybe Edom’s worried that the stolen copy of Unredacted will fall into the hands of some troublesome investigative journalist or online conspiracy blogger, and they’ve sent Gwen into that world so she can grab the dossier when it surfaces.

Another option: “Gwen” is actually Juliette Parton, the original Edom vampire. Her appearance is as far as one could get from the respectable young Victorian woman she used to be; she only ever goes out at night, and she’s loud and aggressive enough to deflect suspicion.

Minion: Gwen’s a member of the Satanic Cult of Dracula, like her ancestors before her. Given her relative youth and attitude, she’s likely a low-level talent spotter, recruiting criminals and other useful assets for the Conspiracy. She might be a connection between the vampires and mundane criminality. In this scenario, the Agents run into some low-grade goons, beat them up, get pointed at Gwen Parton – and then spot an old family painting or heirloom/discover the Parton trust fund, and unravel the connections between those low-grade goons and the Parton legacy…

Defining quirks: 1) Stompy boots 2) Goth crucifix that happens to be made of solid silver 3) Shifts accents from Edinburgh punk-rock girl to upper-class Oxbridge as needed

Investigative Abilities: Art History, Intimidation, Streetwise, Urban Survival

General Abilities: Conceal 4, Hand-to-Hand 6

The Dracula Dossier Director’s Handbook (DH) covers the present-day Legacies of the main members of the Crew of Light – Billie Harker, Tabitha Holmwood, Thad Morris and the rest, the descendants of the original group who battled Dracula. However, Dracula Unredacted reveals the existence of several other members of this fellowship who, for reasons sinister or editorial, were excised from the narrative. Once the players discover the existence of Kate Reed or Inspector Cotford, might they not try to track down their present-day heirs?

Here’s the first in a short series covering some other Legacies…

 

Anna Marshall

She’s in her early 40s, but looks and dresses younger; she lives in departure lounges and hotel lobbies. Her accent is transatlantic; her personality buried with her conscience. If you ask, Anna says she works in public relations, but she won’t give you her card. She’s employed by a small firm, ReVu, that specializes in crisis management public relations. They’re the people you call when you’re a celebrity who was just caught with a dead prostitute, or a tech company who just broke democracy. ReVu has a portfolio of special assets – they’ve got private detectives and hackers to dig up dirt on your detractors, botnets and troll farms to spread disinformation, and lots of blackmail material. The firm exists in the same space as companies like Black Cube or Cambridge Analytica; it’s headquartered in London, and definitely wasn’t founded by any ex-spies.

Marshall’s role is handling the traditional press (she has lunch with the Tabloid Journalist, DH, p. 134) regularly, and trades barbs on twitter with the Journalist (DH, p. 120), but she usually stays under the radar. She tells herself that any day now, she’s going to leave all this behind her, maybe move into the charity sector (maybe Heal The Children, DH p. 150), but she knows she’s made too many enemies to just walk away. Also, damningly, she’s good at this.

She has no idea of her ancestry, although she might recall seeing a photograph of her great-great-grandmother Kate Reed in her parents’ place. Optionally, she inherited a brooch like the Westenra Brooch (DH, p. 284). She sleepwalks, especially around mid-March.

Innocent: For certain values of ‘innocent’, obviously. ReVu might get hired by any well-connected Character or Node to deal with trouble caused by the Agents. Likely clients for Kate include either Holmwood (DH, p. 43/44), the Hungarian (DH, p. 94), maaaaaybe the Psychic (DH, p. 96), the Art Forecaster (DH, p. 103), the Drug Boss (DH, p. 113), the Petroleum Executive (DH, p. 127) and a bunch of Nodes like Nox Therapeutics (DH, p. 163).

Anna’s conscience isn’t completely dead; if reminded that objective truth and genuine goodness still exist, she might be motivated to assist the Agents. Getting her to read Kate Reed’s Diary (DH, p. 272), showing her the true extent of Dracula’s evil, or just a hefty Interpersonal spend might convince her to help the Agents.

Another possibility: Marshall hires the Agents as freelancers to track down dirt on some political foe; if the Agents need ready cash, a simple little breaking-and-entering side job might appeal. From there, they can discover the truth about their employer.

Asset: ReVu is an Edom cut-out, possibly founded by a retired ex-Duke (a previous Timnah, DH, p. 53) or the MI5 Deputy (DH, p. 95). The company handles cover-ups and media monitoring, and occasionally employs vampiric mind control to flip a witness or guarantee a story gets buried. Marshall’s too junior to know much about ReVu’s connections to the Secret Service, although she does know the higher-ups sometimes have urgent meetings at Ring (DH, p. 173) or Exeter (DH, p. 167). If she knew about the Reed file that marks her as a Legacy, she might flip on her employer.

Minion: Marshall’s family have been part of the Satanic Cult of Dracula (DH, p. 55) for generations; she was initiated as a priestess of Dracula at the age of 13, left alone in the Red Room (DH, p. 187) overnight to bathe in the psychic influence. ReVu covers up the cult’s excesses; once Dracula makes his move, the company may be ordered to expose or discredit Edom, distracting “D” with political pressure and scandals while the vampire breaks free. This version of Marshall is likely irredeemable (assuming she’s not a full-on vampire); she expects to be an immortal handmaiden of the Count once he takes over the world.

Defining Quirks: (1) Carries an antique umbrella (2) At least three phones (3) Sleeps with the lights on

Investigative Abilities: High Society, Traffic Analysis, Negotiation

General Abilities: Network 15


The Dracula Dossier reveals that Dracula is not a novel. It’s the censored version of Bram Stoker’s after-action report of the failed British Intelligence attempt to recruit a vampire in 1894. Kenneth Hite and Gareth Ryder-Hanrahan have restored the deleted sections, inserting annotations and clues left by three generations of MI6 analysts. This is Dracula UnredactedFollow those clues to the Director’s Handbook, containing hundreds of encounters: shady NPCs, dangerous locations, conspiratorial nodes, and mysterious objects. Together they comprise The Dracula Dossier — an epic improvised, collaborative campaign for Night’s Black Agents, our award-winning vampire spy thriller RPG. Purchase the Dracula Dossier starter kit bundle in print and PDF at the Pelgrane Shop.