In the Community Content Spotlight, each month I write up a short review of a community content title available on DriveThruRPG. See this page if you’re interested in creating something for our Community Program!


Stick around after the review for news about our Community Content Contest.

THE PHANTOM OF THE BASTILLE

The following review contains spoilers for Phantom of the Bastille.

Rick Dakan’s Phantom of the Bastille is a lavishly researched, imaginative scenario for Fear Itself that takes players to Paris in 1789, the beginning of the French Revolution. Planned as the first in a series of French Revolution scenarios, we get a glimpse into the chaos of, and the different groups jostling for dominance in, late-1780s France.

Like many historical scenarios, Phantom of the Bastille latches onto a major historical event and then deep dives into an unusual idiosyncrasy. And that is part of the joy of historically situated gaming: major events (like the fall of the Bastille) always have strange surprises, particularities, coincidences, and falsehoods told about them. What Dakan has done is take a pseudo-legendary figure, the Comte De Lorges (who was supposedly a prisoner in the Bastille), and asked “Why do people report the existence of the Comte, when no such person ever existed?” Rick’s answer creates all kinds of new Fear Itself fodder: a new creature of Unremitting Horror; the unnatural, putrescent death of King Louis XV; the tragic painting of a family destroyed by the scenario’s inciting action. It was this last which I was personally most drawn to. I wanted to see how my players would respond to a fallen family of the French aristocracy — how would the characters be swayed, and what schemes would they devise in order to protect this pitiable family?

Interestingly, the scenario’s villain is also a sympathetic GMC (although I did find myself, after seeing the results of the villain’s actions, thinking that were I playing the scenario, I would probably have advocated for the character’s demise — it is the French Revolution, after all).

The pre-generated investigators are all Freemasons (or members of their sister organizations), which provides an easy “in” to the scenario and provides fodder both for more characters (should one of the PCs die — unthinkable!) and for information-holding allies. It was easy to see, even in the structure of this first scenario, how a whole campaign could be strung out from this framework ( “Headhounds of Paris,” anyone? Because of the guillotine… get it?… nevermind). Rick also employs a clever “counterespionage spend” mechanic by grouping three of the Investigative abilities, which spends of can “distract or counter the spies” of one of the scenario’s factions, and are increasingly costly. They got me thinking about other ways that abilities could be grouped and spent toward particular ends in new scenarios.

(As a sidenote, maybe my favorite thing about the scenario, as an eighteenth-century literary theorist, is tha

t there’s an opportunity for some very memorable roleplaying with the Marquis de Sade — yes, that Marquis de Sade, for whom the practice of “sadism” is named, although it’s probably notwhat you expect.)

The scenario is lavishly illustrated with period-sourced paintings and engravings, and was laid out by our very own Will Hindmarch. Rick has some great additional resources on his website whether you’re planning on running Phantom of the Bastille, Fear Itself, or another game set at the dawn of the French Revolution. Also consider giving him a follow on Twitter.

Title: Phantom of the Bastille
Author: Rick Dakan
System: Fear Itself, 2nd Edition
Price: $4.95 PDF

Community Content Contest

Last week I announced the GUMSHOE Community Content Contest, where one winning product will receive professional layout and a custom cover provided by Pelgrane Press. I’m happy to announce that the final deadline will be Monday, September 7th, 2020. (I’ve also updated the original posting to reflect this.)

For more information about the contest, please see the original posting, or get a hold of me either on our Discord or by leaving a comment.

Good luck with your entries!


The Pelgrane Press Community Program brings you into the fold with other GUMSHOE game designers, affording creators (whatever that means to you!) the opportunity to post and sell their own products on DriveThruRPG. We currently accept material for Ashen Stars, The Esoterrorists 2nd Edition, Fear Itself 2nd Edition, and TimeWatch. Have a kooky idea you’d like to write up and get out there? A flushed out scenario you think others would enjoy? The Community Program is the place to showcase these ideas. If you’re interested in creating something for the Community Program, read more about it here.


Fear Itself is a game of contemporary horror that plunges ordinary people into a disturbing world of madness and violence. Use it to run one-shot sessions in which few (if any) of the protagonists survive, or an ongoing campaign in which the player characters gradually discover more about the terrifying supernatural reality which hides in the shadows of the ordinary world. Will they learn how to combat the Creatures of Unremitting Horror from the Outer Black? Or spiral tragically into insanity and death? Purchase Fear Itself in print and PDF at the Pelgrane Shop.

We want your ideas as part of the GUMSHOE Community on DriveThruRPG! The GUMSHOE Community is a home for independent creators to upload products like adventures, rules supplements, monsters, and whatever else you can dream up. If you’ve got a wild idea, whether it’s a new planet you homebrewed for Ashen Stars, or a creature of unremitting horror for Fear Itself, or if you’ve written up scenario notes that really terrified your Esoterrorist investigators, consider writing up any of these for the GUMSHOE Community Contest.

How it works

The GUMSHOE Community program is a place where you can upload your homebrew content for various GUMSHOE systems and sell them straight through DriveThruRPG. For this contest, write up any of your wild and/or successful ideas for one of the supported GUMSHOE systems (see “What can I submit?” below), submit them through the form at the bottom of this post, and Robin D. Laws will select one winner, whose piece will get a professional cover illustration and be professionally laid out (see “What do I get?” below).

The best part about all this is that, even for those of us who don’t win, at the end we’ll have put in the work and have a finished written product that we can still upload to the GUMSHOE Community. If you’ve always wanted to try your hand at publishing an RPG product, this is a great way to dip your toes.

What can I submit?

Anything that fits with the GUMSHOE rulesets currently supported in the GUMSHOE Community program: that’s Ashen Stars, The Esoterrorists 2nd Edition, Fear Itself 2nd Edition, and TimeWatch.

As to the style of submission, nearly anything goes. Full-fledged scenario? Groovy. Collection of scenario hooks? Rad. A single new monster? Sure, why not? You don’t need to write a 10,000-word manifesto (though you could), and you don’t need a 5,000-word write-up for a new planet. Give us your short, pithy ideas, alongside your longer masterpieces. Give us your best.

Multiple submissions are fine.

We’ll ask that you only submit text files, unless you have illustrative examples you think are completely necessary, and these should be incorporated into a text file. The way that Google Forms works, you’ll need to submit either a Google Doc or a PDF saved to Google Drive.

It doesn’t need to be PG, but nothing rated NC-17, please. See the GUMSHOE Community Content Guidelines for more resources about what’s acceptable and what’s not.

What are the judges looking for?

First of all, we won’t be judging based on things like art or professional layout (though that doesn’t mean your writing shouldn’t be organized).

Here’s what Robin says he’ll be looking for in a winning entry:

  • engaging prose,
  • original and inspiring mysteries (or support material that inspires them),
  • apt use of GUMSHOE mechanics,
  • material presented for use in play,
  • evocation of your chosen game line’s themes and tone.

What do I get?

Anyone who submits will get an 8.5″ x 11″ art print of the cover art for the line they submit to (submitting for Ashen Stars? That’s the cover you’ll receive). Additionally, Robin D. Laws will be judging the entries, and one winner will have their product professionally laid out by Jen McCleary, of The Fall of DELTA GREEN and Night’s Black Agents: Solo Ops, with cover art by Jérôme Huguenin, who’s done the covers for Trail of CthulhuCthulhu Confidential, and more.

The “prize,” in other words, is custom cover art and custom layout for your product before you upload it to the GUMSHOE Community program on DriveThruRPG.

Deadline – Updated

The deadline for your entries will be Monday, September 14th, 2020.

Submit your entries… HERE

(No spoilers for Season 2 in here.)

Even if this column appeared somewhere other than a website for tabletop roleplayers, it’d be impossible to write about Stranger Things without talking about gaming. Gaming is the metaphor the series uses to talk about monsters and dimensions, but it’s also how the kids see themselves, and how the show-runners and writers structure the plot – which makes it insanely ripe for conversion and dissection here. The show has three distinct tiers of ‘player character’ – the kids, the teens and parents, and the combat experts (Hoppers and Eleven). They’re clearly using the skill cap rules, but one character in each tier can be an exception and buy a few points in a combat ability normally reserved for the next tier. So, Dustin’s wrist rocket lets him Scuffle with an adult, and Nancy has that 4-point Shooting pool. (Presumably, the kids have all invested in Hiding and Fleeing, or just given a pile of build points each over to Eleven’s character so she can keep buying new Psychic Powers.)

In Fear Itself terms, the show nicely illustrates the concept of the Spiral of Misery setup. In the first season, you’ve got Will Byers at the centre of the spiral; he’s connected to the other kids, to his mother Joyce, and to his brother Jonathan; Joyce connects to Sheriff Hopper, Jonathan and Mike connect to Nancy, and the whole cast gets pulled in through those connections.

The show’s monsters are also perfectly set up for gaming. The Demogorgon pops in and out of our dimension, showing up to threaten the player characters before vanishing, leaving behind only clues that will get ignored by the authorities and picked up by the player character using their Investigative Abilities. It can move quickly enough to threaten the player characters wherever they are, but it’s also got plenty of tells (the flickering lights, the ‘scar tissue’ in the dimensional breaches) to give the players a chance to detect and prepare for its emergence.

 

Demogorgon

Abilities: Aberrance 9, Athletics 10, Health 12, Scuffling 16

Hit Threshold: 4

Armour: None, but firearms attacks only deal one point of damage.

Awareness Modifier: +1

Stealth Modifier: +1

Damage Modifier: +1 (claw), or +3 (‘bite’). It can only bite downed or stunned foes.

Dimensional Tear: By spending 3 Aberrance, the Demogorgon can open a portal connecting the parallel reality of the Upside Down with our reality. These portals appear like wounds or breaches on a surface like a wall, floor or the bole of a tree. Once created, a breach remains active for some time (usually a few minutes, but it’s proportional to the size of the breach). The Demogorgon can pass through an active breach for free; other creatures can also wriggle through breaches, but it requires an Athletics test (Difficulty 4). Even after a breach reseals itself, reality is still wounded in that spot; the Demogorgon can reopen an old breach with a 1-point Aberrance spend.

Feed: The Demogorgon regains Aberrance when it eats.

Its hunger means the creature’s drawn to the smell of blood or the presence of meat.

Regeneration: When in the Upside Down, the Demogorgon may heal using Aberrance. 1 Aberrance point restores 2 Health.

Telekinesis: The Demogorgon may spend Aberrance as Telekinesis.

Unnatural Speed: For 2 Aberrance, the Demogorgon may:

  • Make another claw attack
  • Cover a short distance instantly
  • Automatically dodge a Shooting attack.

 

All That Remains

  • Investigative Procedure: The victim was mauled and partially eaten – but the bite marks look more like the mess that would be left by a shark.
  • Mechanics: Hey, those electric lights are flickering. Someone should check the circuit.
  • Notice: Hey, what’s this weird slime on the tree. It’s like a scab on reality. What happens when I pick at it?
  • Outdoor Survival: It’s hunting us by scent. It can smell our blood.
  • Science: But what if this gate already existed? Well, if it did, I I think we’d know. It would disrupt gravity, the magnetic field, our environment. It would deflect compass needles, cause electrical surges…
  • Trivia: It’s in the Monster Manual!

SaveSave

Dice imageIf you are interested any of these games, please email me with the game you wish to playtest in the subject line.

 

Fatal Frequencies

System: GUMSHOE One-2-One

Author: Ruth Tillman

Deadline: 16th May

Number of sessions: 1-2

Description:

Sadie Cain’s fiancé, George Preston, disappeared three days ago under mysterious circumstances—but the police are saying George is a murderer. Sadie thinks the police are framing him, and she’s come to you, ace reporter Vivian Sinclair, because you wrote about police frame-ups for the New York Herald a few years ago. Can you find George, and prove him innocent?

Capitol Colour

System: GUMSHOE One-2-One

Author: Chris Spivey

Deadline: 16th May

Number of sessions: 1-2

Description:

Where is Lynette Miller? Can you find her before it’s too late? Her worried father comes to you, part-time shamus Langston Montgomery Wright, for help—but time is already running out before you even start the case. The trail leads to a scheming villain, crooked politicians, a deadly trap, and the Beyond…

The Circle

System: Fear Itself 2nd Edition

Author: Gareth Ryder-Hanrahan

Deadline: 31st May

Number of sessions: 1

Description:

Finding the corpse of Austin Spetz, their fellow participant in an experimental drug trial, is a shock for the PCs. But it’s nothing compared to the message that the aging museum curator is about to leave them after his death.