Irrawaddy Landing

by James Semple

Having recently completed the 13th Age Suite I was interested in writing something more contemporary again. While music for the Night’s Black Agents Dracula Dossier is on the horizon, I felt it had been far, far too long since I’d last written anything for The Esoterrorists. I remember that ever since I’d read The Esoterror Fact Book I’d had an idea for some music which I never got around to writing. Now I had a moment of spare time I thought it was time to revisit this idea!

[audio:http://site.pelgranepress.com/files/Music/Irrawaddy_Landing_v2_24_bit_master.mp3]

The first thing I realised was that it was important to differentiate the music of The Esoterrorists from the music of Night’s Black Agents. After all they’re both contemporary action dramas with strong elements of the occult. It would be easy to end up with fairly interchangeable music between the two. With that in mind I reviewed the music I’d written for both and then drew out a list of elements that were specific to Esoterrorists and distinct from NBA.

Stylistically I felt that The Esoterrorists has a heavier focus on action and less on tension. The music is a little more muscular with overt nods to military snares and heavy rock guitar. Perhaps almost a sense of New World confidence in contrast to the more world-weary European quality of NBA. There’s definitely an action movie quality there. This is particularly emphasised on tracks focusing on the Special Suppression Forces.

Another important aspect is the usage of musique concrete and reversed sound design to represent the Membrane, particularly highlighted in the track The Membrane. This felt like a very useful colour to again help differentiate the Esoterrorist sound.

Finally I have also been wanting to write music for the Ordo Veritatis itself. I have many ideas for this going around but there’s likely to be something in the style of brass chorale and perhaps something with choirs as well. Maybe a hymn or even a march. There is a definite sense of noble duty I’d like to capture.

Anyway having suitably established my Esoterrorists sound I decided to crack on and write the track itself. It’s called Irrawaddy Landing and is the first scene in Operation Whirlwind Reaper, the scenario in The Esoterror Fact Book. As soon as I read this scene I wanted to write music for it.

Imagine rice fields in Myanmar at night … peaceful and calm. Suddenly a military plane comes into view. We see the Special Suppression Forces getting ready. There’s a brief quiet moment of noble duty and then they jump. Cue the hero music! Finally they land and the music gets more creepy as they begin sneaking into dangerous territory. I’ve written the music as though I was scoring this scene but of course you don’t have to use it in this way.

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